RIP Aaliyah!!! I wish I could have known you...XOXOX!!!!!!!!
Sincerely,
A Fan
Tuesday, August 25, 2009
Reflections of the love you took from me...
So, I've just taken some time out to reflect on things. Basically things are good, but you know life is really what you make of it. I'm struggling and striving to do more every day. Maintaining focus and clarity are probably the two hardest things for me to do besides, quitting smoking and quitting procrastination. I'm glad to be alive to be going through it with all of you. I don't really have anything profound or even interesting to say today, except:
RIP Aaliyah!!! I wish I could have known you...XOXOX!!!!!!!!
Sincerely,
A Fan
RIP Aaliyah!!! I wish I could have known you...XOXOX!!!!!!!!
Sincerely,
A Fan
Monday, August 24, 2009
The Skateboarding Analogy
So I've been having a lot of discourse with my non-deejay friends, about my open letter to deejays blog. I don't want to be jaded, so I felt the need to better understand exactly what has happened. Was I really over-reacting?? Was I right on the money?
The feedback I got was overwhelming from my deejay friends. They all applauded it. But it was my non-deejay friends that still didn't get it. After a lot thought, I've come up with what I think is the most appropriate analogy. So ladies and gentlemen, I give you my skateboarding analogy...
The following was pulled from my post on the the turntablist network's message board...
Read original thread
My problem with the current paradigm is that somewhere along the way someone came along and altered the rules... Your "look" or "image" became more important than your skill set or your talent as a producer/composer. DVS systems have only stood to reinforce this trend, because no longer did your average dj have to start at the bottom, spending lots of money buying records and countless hours learning how to mix. He could simply jump ahead in the line over the djs with superior music knowledge and the collections to match. It made it easy for them to learn to mix records. It's also allowed promoters to start calling the shots instead of the djs themselves. Even worse is the promoter/dj who thinks he's a better dj than anyone he could possibly book. Somehow, someway the integrity has been stolen from us.
I believe it happened so fast we didn't even have time to react. Or we possibly just blamed it on a "new trend" as we all scrambled to get Serato, Final Scratch or whatever else was commercially available at the time. While most of us were spending our time arguing about traditionalism or purism on message boards such as this one, these people were re-writing the rules to include themselves.
This has been a sore subject with me lately and I've done plenty of arguing about it.
The best way to understand what has happened is by using a skateboard analogy.
A skateboarder starts out at the bottom of the sport. Then by practice, dedication, and lots of studying, he begins to progress. As he is progressing, the sport is also progressing along with him. Therefore, it becomes a lot harder with each passing day for the skateboarder to become recognized and a whole helluva lot harder for him to become famous. Eventually once he has matured or developed his own style, he begins to seek out the approval of his skateboarding peers. Either he starts going to contests or he makes his own "sponsor me" video to send out to companies. That becomes his first foray into marketing. Not until YEARS into his career does he ever become concerned with trying to market himself. And he surely wouldn't have anything to market if he hadn't spend a good chunk of his life dedicated to the sport. If he couldn't do any tricks or he didn't have any style do you think he would ever win a contest or get sponsored or gain any sort of acceptance from the "Old guard" skateboarders????
Why is skateboarding like this? SKATEBOARDING is run and policed by other SKATEBOARDERS or former SKATEBOARDERS. There is a system in place to prevent outsiders from changing the rules.
Essentially what has happened here, is akin to a gang of skateboarders that become pros and took over modern skateboarding simply because they bought skateboards. Instead of learning tricks, they just learned how to market themselves. Instead of going to contests or making sponsorship videos, they just started acting like they were already pro. We've essentially been gotten over on by a bunch of posers. A whole bunch of people who walk around holding their skateboards that are talented enough to ollie onto a curb have basically taken over and made doing fancy tricks and actually having talent obsolete.
Think about it. Prior to the DVS trend, it was the dj who had the most talent and or records that would get to dj the big parties. Why? They earned their position. What we've got to figure out is HOW DO WE TAKE THE POWER BACK?? How do we change the rules back to the way they used to be?? What do we have to do to restore the natural order in the dj game??
Thus is the crux of my argument... Now let's get to work on fixing things...
The feedback I got was overwhelming from my deejay friends. They all applauded it. But it was my non-deejay friends that still didn't get it. After a lot thought, I've come up with what I think is the most appropriate analogy. So ladies and gentlemen, I give you my skateboarding analogy...
The following was pulled from my post on the the turntablist network's message board...
Read original thread
My problem with the current paradigm is that somewhere along the way someone came along and altered the rules... Your "look" or "image" became more important than your skill set or your talent as a producer/composer. DVS systems have only stood to reinforce this trend, because no longer did your average dj have to start at the bottom, spending lots of money buying records and countless hours learning how to mix. He could simply jump ahead in the line over the djs with superior music knowledge and the collections to match. It made it easy for them to learn to mix records. It's also allowed promoters to start calling the shots instead of the djs themselves. Even worse is the promoter/dj who thinks he's a better dj than anyone he could possibly book. Somehow, someway the integrity has been stolen from us.
I believe it happened so fast we didn't even have time to react. Or we possibly just blamed it on a "new trend" as we all scrambled to get Serato, Final Scratch or whatever else was commercially available at the time. While most of us were spending our time arguing about traditionalism or purism on message boards such as this one, these people were re-writing the rules to include themselves.
This has been a sore subject with me lately and I've done plenty of arguing about it.
The best way to understand what has happened is by using a skateboard analogy.
A skateboarder starts out at the bottom of the sport. Then by practice, dedication, and lots of studying, he begins to progress. As he is progressing, the sport is also progressing along with him. Therefore, it becomes a lot harder with each passing day for the skateboarder to become recognized and a whole helluva lot harder for him to become famous. Eventually once he has matured or developed his own style, he begins to seek out the approval of his skateboarding peers. Either he starts going to contests or he makes his own "sponsor me" video to send out to companies. That becomes his first foray into marketing. Not until YEARS into his career does he ever become concerned with trying to market himself. And he surely wouldn't have anything to market if he hadn't spend a good chunk of his life dedicated to the sport. If he couldn't do any tricks or he didn't have any style do you think he would ever win a contest or get sponsored or gain any sort of acceptance from the "Old guard" skateboarders????
Why is skateboarding like this? SKATEBOARDING is run and policed by other SKATEBOARDERS or former SKATEBOARDERS. There is a system in place to prevent outsiders from changing the rules.
Essentially what has happened here, is akin to a gang of skateboarders that become pros and took over modern skateboarding simply because they bought skateboards. Instead of learning tricks, they just learned how to market themselves. Instead of going to contests or making sponsorship videos, they just started acting like they were already pro. We've essentially been gotten over on by a bunch of posers. A whole bunch of people who walk around holding their skateboards that are talented enough to ollie onto a curb have basically taken over and made doing fancy tricks and actually having talent obsolete.
Think about it. Prior to the DVS trend, it was the dj who had the most talent and or records that would get to dj the big parties. Why? They earned their position. What we've got to figure out is HOW DO WE TAKE THE POWER BACK?? How do we change the rules back to the way they used to be?? What do we have to do to restore the natural order in the dj game??
Thus is the crux of my argument... Now let's get to work on fixing things...
Thursday, August 20, 2009
Michel Gondry, your videos are awesome...
I feel the need to big up one of my favorite music video directors... He's the director of The Science Of Sleep and Eternal Sunshine of the Spotless Mind... He's brilliant!
Hope you enjoyed that as much as I did!!! Also check out the Daft Punk's Around the World video. I would've added it, but I couldn't embed it.
Hope you enjoyed that as much as I did!!! Also check out the Daft Punk's Around the World video. I would've added it, but I couldn't embed it.
Tuesday, August 18, 2009
WHO THE F*CK IS ALLOWING THIS NEW ORLEANS??? An open letter to the pervayors of coolness...
OK, I've got to voice my opinion on something... Who the fuck started letting hipsters and outsiders make the rules in the dj game??? So it's time for an open letter... "Deejays" (and yes the quotation marks are completely necessary) if you get offended by this, than I'm talking about you. If you've got a problem with me or anything I say, you're welcome to take it up with me in the street or on the turntables. It's your choice.
Before I begin, let me first outline who I'm NOT talking about...
If you have owned turntables, CDJs or some other dj device for MORE THAN 2 years, I'm not talking about you.
If you have a record, or CD collection comparable to your MP3 HD collection, I'm not talking about you.
If you actively support local music stores, local djs, local musicians and any local scene NOT created by you or crew of people, I'm not talking about you.
For the rest of you it's time for a little accountability and some muthaF*cking QUALITY CONTROL...
Dear "DEEJAYS" of New Orleans,
I'm sure your first question is WHO THE FUCK IS THIS GUY TELLING ME WHAT'S WHAT?? Well, I've been deejaying for 15 years. I started out alone as a Hip Hop deejay/graffiti writer/skateboarder. Since learning about the doctrine of Hip Hop, I lived the phrase "EACH ONE TEACH ONE TO REACH ONE." That's what I have always done... I am a teacher and a mentor first and anything else second. This in essence is what I'm trying to do with this open letter. In my own way, I want you to see what it looks like from an experienced and passionate deejay's perspective how you are shitting on our artform.
After 5 years of rigorous practice with my DEEJAY Crew, I began to enter battles. If you are unfamiliar with dj battles, here are a list of championship caliber djs now making a good living today : Qbert, Babu, Rhetmattic, J-Rocc, Melo D, Shortkut, Klever, Craze, A Trak, Roc Raida, Rob Swift, Total Eclipse, I-Dee, Precision, Teeko, etc... If you don't know any of those names, please get out a gun and shoot yourself in the private parts to assure that you can never procreate and pass your ignorance on to anyone else. Now I'm not saying those are the only good deejays in the country, there are other deejays who are good in their own rights. I'm just saying that each of these afforementioned deejays has earned the right to call themselves a Champion, and each of these individuals also has earned the respect of their peers. There is a quantatative/qualitative reason why these djs are superior... knowledge, technique and execution.
There are many ways in which deejays earn each other's respect. Having an extensive record collection, and the accompanying music knowlege to go along with said collection is one way. A keen sense of what to play and when to play it (knowing how to work and read your crowd) is another way. Technical deejay skill is yet another way. I'm lumping mixing, scratching, beat juggling and trick mixing into one category because only another real deejay recognizes each individual aspect separately.
I see you with your big expensive Macbooks and your Serato. I hear how horrible you sound because you have no idea what the EQ does with your mixer LEDs in SOLID RED. I see you pathetically trying to act the part. I see you cheating the system. I see you, and I do not respect you... neither does anyone else.
You think you are cool and unique, when you are just new. I've seen people like you drop in and out for years now. You refuse to play the game, you think in some way you are above seeking the approval of your peers. You think that the game is changing just to tailor itself to you and your "cult of cool". Well, that's not how it works. Some how here in New Orleans, a city not historically known for it's deejay talent, what you do hasn't been checked by anyone. Well welcome to QUALITY CONTROL. YOU see, bullshit like this doesn't fly in L.A., Chicago, Miami, DC, Baltimore, Philadelphia, Seattle, NYC, Boston, Atlanta, San Francisco, any other major city BUT HERE... in New Orleans a city with one of the richest musical traditions in the country you guys are out here embarrassing us. Do you realize that by doing this the tourists that come through the city think that this is the norm and not the exception? Do realize how much of a slap in the face this is to the record collecting deejay? Do you understand the need for peer review, accountablility and quality control?
There are deejays in every major city that make well over six figures. Why not here?? It's because deejays like YOU are collectively lowering the bar and destroying peoples expectations of what to expect from the nightlife here. Whether it's bar owners putting their friends on to "dj" at their bar on peak nights or it's lame-ass promoters who all of a sudden get a laptop/Serato and decide that they too can be a dj. You can't cut us completely out of the scene. My brethren and I simply won't allow it. You will be cut out.
I take this seriously. In my 15 years as dj I have spent enough money to buy a house on records and dj equipment. I have dedicated enough of my time to build 1000 houses practicing my craft. It was five years before I even thought I deserved to get paid for what I do. Now I have to watch people like you with your downloaded music or your itunes playlist or your brand new turntables/laptop/Serato combo refusing to recognize the deejays which came before you and helped pave the way for your "deejay career".
This is also acting as a PSA for the listening public. I'm going to let the casual listener know what to expect from real deejays and I will encourage them to walk out on anything less. It is my hopes to raise the bar in the city so that competent, skilled, passionate deejays can take your place and destroy your "cult of cool".
For the listening public, general party people, New Orleans locals, and bar/nightlife patrons in general...
If you enter a bar and the deejay just has a laptop, no other equipment. Walk out. I would bring my laptop in and demand to be allowed to deejay also because... Why not?? Where's the line?? (there are exceptions, but they are VERY FEW) WALK OUT!!!
If you see a deejay that has turntables and/or CD players and a laptop, but no other music. Walk out. Real deejays always bring records/CDs as a backup in case of some computer problems. These guys don't bring these things because they simply don't have any other music except for MP3s. This means they aren't supporting local record stores, and they are probably downloading all of their music for free. They are contributing to the collapse of the economy. WALK OUT.
If you see a deejay with turntables/CD players and a laptop, contantly staring at their laptop, walk out. Deejaying was meant to be done by ear. It is a aural artform. We do NOT need deejays that look like they are checking their email. Also the deejay is NOT caring about you the patron. Their attention should be on the crowd and whether or not anyone is enjoying themselves. A good deejay should have a direct mental line to his or her crowd. It's deejaying 101. WALK OUT.
If you are somewhere and the sound is muddled, distorted and you can barely understand the music. It's because the songs are being incorrectly played. I know it sounds like a common sense thing, but I recently went to an establishment for a drink. The dj's LED were mashed in the red and the sound signal was so distorted, I could barely discern what the track was. If you hear something like this, please WALK OUT.
If you walk in somewhere and after 15 minutes your first thought is "this dj sucks" or "I wish I could access the jukebox". WALK OUT.
These are basically the reasons why we as serious djs, hate you and want to punch you in the face. I don't see you unless I end up wandering into one of your lame hipster nights. You don't support any other djs. As far as I'm concerned, you think you are better than us. That's laughable!
For a musical representation of what I'm talking about please listen to "The Shook Ones (part II)" by Mobb Deep. Here's an excerpt...
For all those who wanna profile and pose,
Rock you in the face,
Stab your brain with your nose bone,
You all alone in these streets cousin.
Every man for their self,
In this land we be gunnin'.
And keep them shook crews runnin',
Like they supposed to,
You come around but you never come close to,
I can see it inside your face,
You're in the wrong place,
Cowards like you just get their whole bodies laced up,
With bullet holes and such,
Speak the wrong words man,
And you will get touched.
You can put your whole army against my team and,
I guarantee you it'll be your very last time breathin'.
Your simple words just don't move me,
You're minor, we're major.
You're all up in the game and don't deserve to be a player.
Don't make me have to call your name out.
Your crew is featherweight...
You get the point...If you don't know the song, that's a big part of the problem right there. I'm here to tell you, it's time to buy a clue. In the immortal words of Twisted Sister, "We're not gonna take it, NOOOOO! We ain't gonna take it! WE'RE NOT GONNA TAKE IT ANYMORE!!!"
BTW, wearing dirty vintage clothes, and dirty vintage sneakers only makes us snicker about you behind your back. In this game you've got to pay to play. Looking homeless only makes you more of a joke to us.
Sincerely,
A Deejay Activist
P.S. In our eyes you're either part of the problem or part of the solution. Which are you??
NOLA REAL DJ ROLL CALL: Ed Max, Dj Digital, Dj Kristen, Dj Matty, Dj Lingerie, Maddie Ruthless, Brice Nice, Rik Ducci, ARAjay, Damion Yancy, Dj Kemistry, Dj Jive, Dj Real, Earl the Black Pearl, SOUL SISTER, Supercool Dj Kazu, Mike Swift, Raj Smoove, Bigg Cheeze, Nate White, Dj BlacknMild, Dj Hollaback, EF Cuttin, all the GODJs, Greenleaf Selektah, Dj Chicken, all the Definition Djs, Beverly Skillz, Jermaine Quiz, Dj Resin, MC Gregory, DjMc Microphone, Javier Drada, Gerardo Montoya, Paul B, Dj Proppa Bear, Yellow Frank, Frenzi, T-Roy, Dj Def D... and everyone else that respects the turntable as a musical instrument!!!
WACK DJ ROLL CALL: Dj Flowershirt Freddy, Dj Pompodour Paul, Dj Butt-Sniffer, Dj Steel Steve, Dj Volcanic Victor, Dj Muscular Manpower Bob, Dj Smokin' Steve, Dj Courageous Carl, Dj Reindeer Randy, Dj Luscious Larry, The Pearman, Dj Spam, and all others THAT DON'T BELIEVE IN CUTTING IT UP!!!!!
Before I begin, let me first outline who I'm NOT talking about...
If you have owned turntables, CDJs or some other dj device for MORE THAN 2 years, I'm not talking about you.
If you have a record, or CD collection comparable to your MP3 HD collection, I'm not talking about you.
If you actively support local music stores, local djs, local musicians and any local scene NOT created by you or crew of people, I'm not talking about you.
For the rest of you it's time for a little accountability and some muthaF*cking QUALITY CONTROL...
Dear "DEEJAYS" of New Orleans,
I'm sure your first question is WHO THE FUCK IS THIS GUY TELLING ME WHAT'S WHAT?? Well, I've been deejaying for 15 years. I started out alone as a Hip Hop deejay/graffiti writer/skateboarder. Since learning about the doctrine of Hip Hop, I lived the phrase "EACH ONE TEACH ONE TO REACH ONE." That's what I have always done... I am a teacher and a mentor first and anything else second. This in essence is what I'm trying to do with this open letter. In my own way, I want you to see what it looks like from an experienced and passionate deejay's perspective how you are shitting on our artform.
After 5 years of rigorous practice with my DEEJAY Crew, I began to enter battles. If you are unfamiliar with dj battles, here are a list of championship caliber djs now making a good living today : Qbert, Babu, Rhetmattic, J-Rocc, Melo D, Shortkut, Klever, Craze, A Trak, Roc Raida, Rob Swift, Total Eclipse, I-Dee, Precision, Teeko, etc... If you don't know any of those names, please get out a gun and shoot yourself in the private parts to assure that you can never procreate and pass your ignorance on to anyone else. Now I'm not saying those are the only good deejays in the country, there are other deejays who are good in their own rights. I'm just saying that each of these afforementioned deejays has earned the right to call themselves a Champion, and each of these individuals also has earned the respect of their peers. There is a quantatative/qualitative reason why these djs are superior... knowledge, technique and execution.
There are many ways in which deejays earn each other's respect. Having an extensive record collection, and the accompanying music knowlege to go along with said collection is one way. A keen sense of what to play and when to play it (knowing how to work and read your crowd) is another way. Technical deejay skill is yet another way. I'm lumping mixing, scratching, beat juggling and trick mixing into one category because only another real deejay recognizes each individual aspect separately.
I see you with your big expensive Macbooks and your Serato. I hear how horrible you sound because you have no idea what the EQ does with your mixer LEDs in SOLID RED. I see you pathetically trying to act the part. I see you cheating the system. I see you, and I do not respect you... neither does anyone else.
You think you are cool and unique, when you are just new. I've seen people like you drop in and out for years now. You refuse to play the game, you think in some way you are above seeking the approval of your peers. You think that the game is changing just to tailor itself to you and your "cult of cool". Well, that's not how it works. Some how here in New Orleans, a city not historically known for it's deejay talent, what you do hasn't been checked by anyone. Well welcome to QUALITY CONTROL. YOU see, bullshit like this doesn't fly in L.A., Chicago, Miami, DC, Baltimore, Philadelphia, Seattle, NYC, Boston, Atlanta, San Francisco, any other major city BUT HERE... in New Orleans a city with one of the richest musical traditions in the country you guys are out here embarrassing us. Do you realize that by doing this the tourists that come through the city think that this is the norm and not the exception? Do realize how much of a slap in the face this is to the record collecting deejay? Do you understand the need for peer review, accountablility and quality control?
There are deejays in every major city that make well over six figures. Why not here?? It's because deejays like YOU are collectively lowering the bar and destroying peoples expectations of what to expect from the nightlife here. Whether it's bar owners putting their friends on to "dj" at their bar on peak nights or it's lame-ass promoters who all of a sudden get a laptop/Serato and decide that they too can be a dj. You can't cut us completely out of the scene. My brethren and I simply won't allow it. You will be cut out.
I take this seriously. In my 15 years as dj I have spent enough money to buy a house on records and dj equipment. I have dedicated enough of my time to build 1000 houses practicing my craft. It was five years before I even thought I deserved to get paid for what I do. Now I have to watch people like you with your downloaded music or your itunes playlist or your brand new turntables/laptop/Serato combo refusing to recognize the deejays which came before you and helped pave the way for your "deejay career".
This is also acting as a PSA for the listening public. I'm going to let the casual listener know what to expect from real deejays and I will encourage them to walk out on anything less. It is my hopes to raise the bar in the city so that competent, skilled, passionate deejays can take your place and destroy your "cult of cool".
For the listening public, general party people, New Orleans locals, and bar/nightlife patrons in general...
If you enter a bar and the deejay just has a laptop, no other equipment. Walk out. I would bring my laptop in and demand to be allowed to deejay also because... Why not?? Where's the line?? (there are exceptions, but they are VERY FEW) WALK OUT!!!
If you see a deejay that has turntables and/or CD players and a laptop, but no other music. Walk out. Real deejays always bring records/CDs as a backup in case of some computer problems. These guys don't bring these things because they simply don't have any other music except for MP3s. This means they aren't supporting local record stores, and they are probably downloading all of their music for free. They are contributing to the collapse of the economy. WALK OUT.
If you see a deejay with turntables/CD players and a laptop, contantly staring at their laptop, walk out. Deejaying was meant to be done by ear. It is a aural artform. We do NOT need deejays that look like they are checking their email. Also the deejay is NOT caring about you the patron. Their attention should be on the crowd and whether or not anyone is enjoying themselves. A good deejay should have a direct mental line to his or her crowd. It's deejaying 101. WALK OUT.
If you are somewhere and the sound is muddled, distorted and you can barely understand the music. It's because the songs are being incorrectly played. I know it sounds like a common sense thing, but I recently went to an establishment for a drink. The dj's LED were mashed in the red and the sound signal was so distorted, I could barely discern what the track was. If you hear something like this, please WALK OUT.
If you walk in somewhere and after 15 minutes your first thought is "this dj sucks" or "I wish I could access the jukebox". WALK OUT.
These are basically the reasons why we as serious djs, hate you and want to punch you in the face. I don't see you unless I end up wandering into one of your lame hipster nights. You don't support any other djs. As far as I'm concerned, you think you are better than us. That's laughable!
For a musical representation of what I'm talking about please listen to "The Shook Ones (part II)" by Mobb Deep. Here's an excerpt...
For all those who wanna profile and pose,
Rock you in the face,
Stab your brain with your nose bone,
You all alone in these streets cousin.
Every man for their self,
In this land we be gunnin'.
And keep them shook crews runnin',
Like they supposed to,
You come around but you never come close to,
I can see it inside your face,
You're in the wrong place,
Cowards like you just get their whole bodies laced up,
With bullet holes and such,
Speak the wrong words man,
And you will get touched.
You can put your whole army against my team and,
I guarantee you it'll be your very last time breathin'.
Your simple words just don't move me,
You're minor, we're major.
You're all up in the game and don't deserve to be a player.
Don't make me have to call your name out.
Your crew is featherweight...
You get the point...If you don't know the song, that's a big part of the problem right there. I'm here to tell you, it's time to buy a clue. In the immortal words of Twisted Sister, "We're not gonna take it, NOOOOO! We ain't gonna take it! WE'RE NOT GONNA TAKE IT ANYMORE!!!"
BTW, wearing dirty vintage clothes, and dirty vintage sneakers only makes us snicker about you behind your back. In this game you've got to pay to play. Looking homeless only makes you more of a joke to us.
Sincerely,
A Deejay Activist
P.S. In our eyes you're either part of the problem or part of the solution. Which are you??
NOLA REAL DJ ROLL CALL: Ed Max, Dj Digital, Dj Kristen, Dj Matty, Dj Lingerie, Maddie Ruthless, Brice Nice, Rik Ducci, ARAjay, Damion Yancy, Dj Kemistry, Dj Jive, Dj Real, Earl the Black Pearl, SOUL SISTER, Supercool Dj Kazu, Mike Swift, Raj Smoove, Bigg Cheeze, Nate White, Dj BlacknMild, Dj Hollaback, EF Cuttin, all the GODJs, Greenleaf Selektah, Dj Chicken, all the Definition Djs, Beverly Skillz, Jermaine Quiz, Dj Resin, MC Gregory, DjMc Microphone, Javier Drada, Gerardo Montoya, Paul B, Dj Proppa Bear, Yellow Frank, Frenzi, T-Roy, Dj Def D... and everyone else that respects the turntable as a musical instrument!!!
WACK DJ ROLL CALL: Dj Flowershirt Freddy, Dj Pompodour Paul, Dj Butt-Sniffer, Dj Steel Steve, Dj Volcanic Victor, Dj Muscular Manpower Bob, Dj Smokin' Steve, Dj Courageous Carl, Dj Reindeer Randy, Dj Luscious Larry, The Pearman, Dj Spam, and all others THAT DON'T BELIEVE IN CUTTING IT UP!!!!!
Tuesday, August 11, 2009
R.I.P. Nate "Bionik Brown" Woods : The day all of New Orleans Hip Hop cried...
August 11, 2008
I'll never forget where I was when I heard the news. I was sitting exactly where I'm sitting now, doing exactly what I am doing now, same desk, same job, same laptop, same cup of coffee to my right. I was checking my myspace and I saw Quickie Mart's status that Bionik had passed away.
"This has got to be a joke!" I said to myself...
I messaged Quickie and he got back to me later that day, and I found out that, NO... this was NOT in fact a joke. It was a tragedy. I first met Nate as a fan. When I lived in Lafayette, we would drive out for his shows. He became one of the emcees that I most admired, for his talents and his lifestyle. His talent was evident, but few knew that he was a man of God who never touched drugs nor alcohol nor cigarettes. I remember talking with him at length after a show at Twiropa and being impressed with his no nonsense take on the world. I could speak volumes about his music and the amount of times I'd listened to the Lucky Stiffs Mixtape, or the Darkness and the Light. New Orleans lost an ambassador, a son and a friend that day one year ago to something as senseless as drunk driving.
Nate and I really didn't begin to become friends until after he moved to Denver. The year was 2007, he was about to go on tour and was looking for a tour dj. I eagerly through my hat into the ring. I knew that working with Bionik on a daily basis would be a huge honor. This came at a time when I had given up alcohol (entire calender year 2007). I felt like it would be a good fit for me and possibly some of Nate's spiritual well-being would rub off on me also.
We talked about once a week or so for a while. I don't even know how seriously I was even being considered, but I never did get the occasion to work with Nate. When I heard the news I was crushed. I could only imagine how devastating it was to his family, and his close musical brethren Quickie Mart, Know One, Impulss, Soapbox, Truth Universal, etc...
I always wished I could've thanked him for sharing his gift with the world. It is my hope that today we can plant seeds in his name, remember his art, and make art in his name. Let's make AUGUST 11 of every year, BIONIK BROWN DAY!!!
I'll never forget where I was when I heard the news. I was sitting exactly where I'm sitting now, doing exactly what I am doing now, same desk, same job, same laptop, same cup of coffee to my right. I was checking my myspace and I saw Quickie Mart's status that Bionik had passed away.
"This has got to be a joke!" I said to myself...
I messaged Quickie and he got back to me later that day, and I found out that, NO... this was NOT in fact a joke. It was a tragedy. I first met Nate as a fan. When I lived in Lafayette, we would drive out for his shows. He became one of the emcees that I most admired, for his talents and his lifestyle. His talent was evident, but few knew that he was a man of God who never touched drugs nor alcohol nor cigarettes. I remember talking with him at length after a show at Twiropa and being impressed with his no nonsense take on the world. I could speak volumes about his music and the amount of times I'd listened to the Lucky Stiffs Mixtape, or the Darkness and the Light. New Orleans lost an ambassador, a son and a friend that day one year ago to something as senseless as drunk driving.
Nate and I really didn't begin to become friends until after he moved to Denver. The year was 2007, he was about to go on tour and was looking for a tour dj. I eagerly through my hat into the ring. I knew that working with Bionik on a daily basis would be a huge honor. This came at a time when I had given up alcohol (entire calender year 2007). I felt like it would be a good fit for me and possibly some of Nate's spiritual well-being would rub off on me also.
We talked about once a week or so for a while. I don't even know how seriously I was even being considered, but I never did get the occasion to work with Nate. When I heard the news I was crushed. I could only imagine how devastating it was to his family, and his close musical brethren Quickie Mart, Know One, Impulss, Soapbox, Truth Universal, etc...
I always wished I could've thanked him for sharing his gift with the world. It is my hope that today we can plant seeds in his name, remember his art, and make art in his name. Let's make AUGUST 11 of every year, BIONIK BROWN DAY!!!
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